Layered paper-cut collage in an autumn palette uses ochre, oxblood, moss and cream on a matte board with two to three overlapping layers, soft shadows, crisp deckled edges and ample negative space for type.

Paper-cut collage autumn background for editorial

An abstract, front-on photographic color study of pumpkin tones with soft matte ochre #D99A2B, cinnamon #A84E2A and burnt orange #C25618, shallow relief and clean edges for copy space.

Pumpkin-toned monochrome color study for headers

Ink and watercolor washes across cold-pressed paper, chestnut, indigo and smoke-gray pigments feather and pool into translucent overlaps, sweeping diagonals leave a calm empty corner with generous white margins.

Ink-wash watercolor study with quiet margins

Refined still-life of a deep-crimson maple leaf (#8B0000) resting on oxblood fabric (#4A0E0E) across a charcoal field (#333333), with merlot accents (#7B1414) and warm edge sheen (#BC9A70), tight three-quarter framing and open negative‑type

Maple Leaf in Merlot Composition

Tight macro of a cable-knit sweater with fallen leaf fragments in plush cream and camel yarns with rust accents, diagonal knit lines, shallow DOF and top 30% softly defocused, soft window light and warm clarity.

Cable-knit Sweater Macro Abstract Study

Single amber leaf placed on a natural linen backdrop with generous negative space and a soft, warm high-key grade, top area reserved for icons and copy placement.

Leaf on Linen Minimal Still Life

A modern plaid woven textile spans the frame in a calm, structured composition with soft intersecting bars of pine (#2F5D3A), cream (#F5F0DC), charcoal (#333333), rust (#B0552A), and warm beige (#D9C7B0), with feathered edges, flat depth, a

Modern plaid textile surface photography

Darius checks fabric swatches at a Brooklyn storefront in a half-body crop, wearing a charcoal jacket and lilac knit, warm deep-brown skin, silver chain, cream counter and muted teal window.

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