Layered paper-cut collage in an autumn palette uses ochre, oxblood, moss and cream on a matte board with two to three overlapping layers, soft shadows, crisp deckled edges and ample negative space for type.

Paper-cut collage autumn background for editorial

Abstract foliage gradients flow across a flat field in an editorial-minimal photographic abstraction, transitioning amber to forest green with soft rust inflections, muted olive undertones, paper-like tooth, uniform focus, and generous copy

Abstract foliage gradient wallpaper study

Ink and watercolor washes across cold-pressed paper, chestnut, indigo and smoke-gray pigments feather and pool into translucent overlaps, sweeping diagonals leave a calm empty corner with generous white margins.

Ink-wash watercolor study with quiet margins

Rounded plush ghosts float in a cute, not-creepy scene of peach (#FAD6C5), lavender (#DCC6FF), mint (#CFFFE0), blush (#FFD6EA) and lemon (#FFF3B0); soft gradients, shallow depth, centered composition and clear top band for text.

Friendly ghosts in pastel seasonal scene

An abstract, front-on photographic color study of pumpkin tones with soft matte ochre #D99A2B, cinnamon #A84E2A and burnt orange #C25618, shallow relief and clean edges for copy space.

Pumpkin-toned monochrome color study for headers

Single amber leaf placed on a natural linen backdrop with generous negative space and a soft, warm high-key grade, top area reserved for icons and copy placement.

Leaf on Linen Minimal Still Life

Pine sprig on deep-green textile folds in the foreground against a cool slate fog gradient, balanced by a pale stone; sprig and stone are crisply focused while folds dissolve softly, leaving open upper third for typography.

Pine Sprig Serene Fog Textile Still Life

A vertical 9 by 16 abstract composition of flowing luminous ribbons in aqua and violet tones with a velvety haze and soft bloom, keeping the top 12 percent as negative space and both lower corners dark and empty.

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