Layered paper-cut collage in an autumn palette uses ochre, oxblood, moss and cream on a matte board with two to three overlapping layers, soft shadows, crisp deckled edges and ample negative space for type.

Paper-cut collage autumn background for editorial

An abstract, front-on photographic color study of pumpkin tones with soft matte ochre #D99A2B, cinnamon #A84E2A and burnt orange #C25618, shallow relief and clean edges for copy space.

Pumpkin-toned monochrome color study for headers

Ink and watercolor washes across cold-pressed paper, chestnut, indigo and smoke-gray pigments feather and pool into translucent overlaps, sweeping diagonals leave a calm empty corner with generous white margins.

Ink-wash watercolor study with quiet margins

Rounded plush ghosts float in a cute, not-creepy scene of peach (#FAD6C5), lavender (#DCC6FF), mint (#CFFFE0), blush (#FFD6EA) and lemon (#FFF3B0); soft gradients, shallow depth, centered composition and clear top band for text.

Friendly ghosts in pastel seasonal scene

A minimalist art gallery scene shows a bedsheet ghost standing as a night guard beneath slow bat projections, soft flattering illumination, polished concrete reflections, and a placard reading "HAUNTED GALLERY."

bedsheet ghost as gallery guard

Refined still-life of a deep-crimson maple leaf (#8B0000) resting on oxblood fabric (#4A0E0E) across a charcoal field (#333333), with merlot accents (#7B1414) and warm edge sheen (#BC9A70), tight three-quarter framing and open negative‑type

Maple Leaf in Merlot Composition

Tight macro of a cable-knit sweater with fallen leaf fragments in plush cream and camel yarns with rust accents, diagonal knit lines, shallow DOF and top 30% softly defocused, soft window light and warm clarity.

Cable-knit Sweater Macro Abstract Study

A folded knit sweater on a linen chair with thin-acetate glasses, dried wheat and a closed notebook, in warm beige, cream, chestnut, muted olive, soft gray and deep brown, lit with soft warm-biased illumination to emphasize textile relief,浅

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