Layered paper-cut collage in an autumn palette uses ochre, oxblood, moss and cream on a matte board with two to three overlapping layers, soft shadows, crisp deckled edges and ample negative space for type.

Paper-cut collage autumn background for editorial

Abstract 3D gradient shapes with smooth glass-like surfaces, layered translucency, glow edges, minimal futuristic design, high-contrast lighting, digital sculpture aesthetic. Vertical 9:16 composition for portrait framing, emphasizing depth

Abstract Glassy 3D Gradient Sculpture (9:16)

Ink and watercolor washes across cold-pressed paper, chestnut, indigo and smoke-gray pigments feather and pool into translucent overlaps, sweeping diagonals leave a calm empty corner with generous white margins.

Ink-wash watercolor study with quiet margins

A top-down study of vulnerability: a lone figure gingerly traverses a floor strewn with broken and whole eggshells, each step a negotiation of balance and care. Natural daylight highlights texture and beige tonalities, making the act feel intimate and symbolic.

Treading on Eggshells

An abstract, front-on photographic color study of pumpkin tones with soft matte ochre #D99A2B, cinnamon #A84E2A and burnt orange #C25618, shallow relief and clean edges for copy space.

Pumpkin-toned monochrome color study for headers

Minimal mantel still life with matte black pumpkins, frosted glass cylinders and sand-vase branches on a beige linen runner; bone, charcoal and caramel tones, cozy low wrap lighting and central copy space.

Mantel neutral Halloween still-life vignette

Vertical photograph of an old brick wall draped in crimson ivy and fallen leaves, shallow DOF with side lighting, matte plant texture and a soft blur across the top 25%, palette brick red, burgundy, terracotta, moss.

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