Ink and watercolor washes across cold-pressed paper, chestnut, indigo and smoke-gray pigments feather and pool into translucent overlaps, sweeping diagonals leave a calm empty corner with generous white margins.

Ink-wash watercolor study with quiet margins

Layered paper-cut collage in an autumn palette uses ochre, oxblood, moss and cream on a matte board with two to three overlapping layers, soft shadows, crisp deckled edges and ample negative space for type.

Paper-cut collage autumn background for editorial

A mummy runner wrapped in layered linen and reflective tape sprints through a cordoned urban street at night under a start arch, motion blur on crowds and cones, damp asphalt reflecting shoe lights.

Mummy runner sprinting through city street

Top-down still-life of pressed maple, birch, and fern on fibrous off-white paper with deckled edges, arranged airy for print clarity, with warm tones #D9B35A, #7C2B3A, #6B8A4C, #F6F2EA, #C8B79A.

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