Ink and watercolor washes across cold-pressed paper, chestnut, indigo and smoke-gray pigments feather and pool into translucent overlaps, sweeping diagonals leave a calm empty corner with generous white margins.

Ink-wash watercolor study with quiet margins

Abstract foliage gradients flow across a flat field in an editorial-minimal photographic abstraction, transitioning amber to forest green with soft rust inflections, muted olive undertones, paper-like tooth, uniform focus, and generous copy

Abstract foliage gradient wallpaper study

A top-down symmetrical flat-lay of autumn treasures—acorns, dried orange slices, cinnamon sticks, handwritten notes and a vintage camera—on a parchment-toned background with even focus, preserved textures, warm neutrals and copper and muted

Autumn flat-lay still life symmetry

Close-up portrait of a beautiful hippie woman with a flower crown and loose waves, wearing a turquoise embroidered blouse and sunflower-yellow scarf, coral lipstick, warm-amber sunlight and deep-teal background.

Hippie woman sunlit portrait photograph

A relaxed mid-torso portrait of a young Samoan man with albinism against a deep ocean-blue to turquoise gradient, warm skin tones, white curls, shell necklace, and a soft left-side light.

Young Samoan man portrait, albinism

Layered paper-cut collage in an autumn palette uses ochre, oxblood, moss and cream on a matte board with two to three overlapping layers, soft shadows, crisp deckled edges and ample negative space for type.

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