Ink and watercolor washes across cold-pressed paper, chestnut, indigo and smoke-gray pigments feather and pool into translucent overlaps, sweeping diagonals leave a calm empty corner with generous white margins.

Ink-wash watercolor study with quiet margins

Layered paper-cut collage in an autumn palette uses ochre, oxblood, moss and cream on a matte board with two to three overlapping layers, soft shadows, crisp deckled edges and ample negative space for type.

Paper-cut collage autumn background for editorial

Extreme close-up portrait of an extremely dark-skinned curly-haired model for a skincare editorial, studio-profile crop (9:16) showing deep-ebony skin with mid-bronze and warm-caramel highlights, soft-pink undertones, and a soft-ivory white

model face editorial skincare closeup

Yareli Cortez, 37, Mexican American set designer in a black crewneck dotted with coral paint specks and a short blunt haircut, tilts her head with steady creative focus under gentle light that smooths tones and lifts cheekbones against a p﻿

Yareli Cortez headshot, set designer

An abstract, front-on photographic color study of pumpkin tones with soft matte ochre #D99A2B, cinnamon #A84E2A and burnt orange #C25618, shallow relief and clean edges for copy space.

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