Construct the image with firm hard-pastel hatching and squared side strokes. Let long dry lines and compact plane marks carry the form, with restrained blending and visible support. Resemblance sits in big shapes: silhouette, pose, large hatched planes; below fingertip scale everything is squared side strokes and long dry lines. Eyes and nose are hatch-plane marks with one pigment-made highlight. Texture is visible everywhere. The surface stays dry squared pastel, strands as long dry lines and eye shine as pigment-made matte. A tall scene of an antelope with long spiral horns standing alert in open wilderness, dry golden grass and scattered acacia trees behind it, warm late light on its tawny coat; no people, long firm pastel lines and squared side strokes establish planar structure, the animal standing tall in the frame. No readable text, lettering, signs or logos anywhere; the picture fills the whole frame edge to edge, painted right to the borders with no blank margin, no checkerboard or transparency pattern.
Palette: ochre, rust and soft sky blue; dry, wild.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame.
