Hard-pastel hatch planes

An adult woman and an adult man stand at the end of a wooden pier on a bright afternoon, looking toward the viewer, a lake behind them. No letters, words, signs or logos anywhere in the image. Construct the image with firm hard-pastel hatching and squared side strokes. Let long dry lines and compact plane marks carry the form, with restrained blending and visible support. Resemblance sits in big shapes — silhouette, pose, large hatched planes; below fingertip scale everything is squared side strokes and long dry lines. Eyes and nose, if present, are hatch-plane marks with one pigment-made highlight. Texture is visible everywhere. No wax-polished color, thick paint daubs, uniform powdery haze, photographic patches, crisp strands or glossy eye reflections.

Create a new image entirely in the style of the attached image: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Subjects: a woman and a man seated side by side at a small round cafe table with two cups and a croissant, and a merle grey-and-tan French bulldog sitting in front of the table facing the viewer. She has a short blonde bob, a cream ribbed cardigan, blue jeans and white sneakers, legs crossed, chin resting on her hand, smiling softly at the viewer. He has tousled light brown hair, an olive overshirt over a white tee, beige chinos and white sneakers, one hand on his cup, looking at the viewer. Everything, faces, hands, clothes and the dog included, is made in the style of the attached image; nothing photographic. Square 1:1 composition. Do not copy the attached image's people, objects or scene. Direction: whole-scene hard-pastel drawing, hand-drawn not photographic: faces, skin, hair, clothes, the dog, table and chairs are built only from firm directional hatch strokes, squared side strokes and long dry lines in a few colors, with the toned paper tooth visible between strokes and simplified drawn features; warm early-evening light, a dusky rose plaster wall, deep green bay hedges and warm ochre paving with violet shadows. Keep real clothing colors. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.