Build solid painted volume with short oblique colour patches whose direction changes as each actual plane turns. Use small local-colour steps and selective contour gaps rather than smooth shading. Keep one coherent viewpoint, features holding their place. Translate big silhouette, pose and colour masses into short oblique pigment patches and selective contour gaps. Below fingertip scale: only these marks. Eyes/nose: medium-made, one medium-made highlight. Texture visible everywhere. Every surface reads as patch-built planes, strands as patch runs and eye shine stays medium-made. A tall scene of a forest full of butterflies, hundreds of blue, orange and yellow butterflies fluttering among tall trees and ferns in dappled light; no people, short oblique patches accumulate into stable volume through small colour and direction shifts, the trunks rising through the tall frame. No readable text, lettering, signs or logos anywhere; the picture fills the whole frame edge to edge, painted right to the borders with no blank margin, no checkerboard or transparency pattern.
Palette: cobalt, tangerine and moss; lively, luminous.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame.
