Sequential motion-plane painting

An adult woman and an adult man stand at the end of a wooden pier on a bright afternoon, looking toward the viewer, a lake behind them. No letters, words, signs or logos anywhere in the image. Compress movement into one painting using ordered contour echoes and intersecting directional planes. Use the large silhouette and broad colour masses; confine repeated positions to secondary margins and the setting. Show one readable motion direction. No extra anatomy, ghost faces or photographic motion blur. Translate big silhouette, pose and colour masses into painted contour echoes and directional planes. Below fingertip scale: only these marks. Eyes/nose if present: medium-made, one medium-made highlight. Texture visible everywhere. No photographic detail or glossy eye reflections.

Create a new image entirely in the style of image 1: the same medium, materials, technique, color treatment, rendering, character design (how it builds faces, eyes, hair, bodies and proportions) and the same kind of background. Its subjects are the two people and the dog from image 2: keep their hair, clothing colors, the dog's coat, their pose, expression and the direction they look, and the cafe table with cups. Every part of them is made in the style of image 1, faces, hands, clothes and the dog included; nothing photographic remains. Use the background approach of image 1: if it is simple or plain, keep the setting simple; square 1:1 composition; do not copy image 1's people, objects or scene. Carry the style's sequential motion planes: offset translucent echo outlines of the heads and shoulders trailing behind the figures, chunky impasto knife-dab strokes, and a sunlit blue and gold palette. No signs or text.

Create a new image entirely in the style of the attached image: the same medium, materials, technique, color treatment, rendering, character design (how it builds faces, eyes, hair, bodies and proportions) and the same kind of background. Subjects: a woman and a man seated side by side at a small round cafe table with two cups and a croissant, and a merle grey-and-tan French bulldog sitting in front of the table facing the viewer. She has a short blonde bob, a cream ribbed cardigan, blue jeans and white sneakers, legs crossed, chin resting on her hand, smiling softly at the viewer. He has tousled light brown hair, an olive overshirt over a white tee, beige chinos and white sneakers, one hand on his cup, looking at the viewer. Everything, faces, hands, clothes and the dog included, is made in the style of the attached image; nothing photographic. Use its approach to the background, a simple setting that suits the style. Square 1:1 composition. Do not copy the attached image's people, objects or scene. Strongly show the signature: each person is surrounded by two or three offset translucent contour echoes (repeated outlines, like the attached image's halos) trailing to the left to suggest movement in one direction, and intersecting directional colour planes cut across the sunlit cafe terrace. The main figures stay sharp and complete; echoes only in the margins, no extra faces or limbs.