Reversible axonometric field

Turn [your photo] into an artwork in this style, keeping the people or animals in it, their poses and the composition: Construct a separate geometric field from parallel-projected planes with two competing orientations, so the virtual space can reverse its reading. Keep joints legible and the broad-colour focal silhouette upright. No single room perspective, arbitrary broken geometry, copied diagram or extra subject views. Translate big silhouette, pose and colour masses into painted parallel-projected planes and legible joints. Below fingertip scale: only these marks. Eyes/nose if present: medium-made, one medium-made highlight. Texture visible everywhere. No photographic detail or glossy eye reflections. Square 1:1 composition.

Create a new image entirely in the style of image 1: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Its subjects are the two people and the dog from image 2: keep their hair, clothing colors, the dog's coat, their pose, expression and the direction they look, and the cafe table with cups. Every part of them is made in the style of image 1, faces, hands, clothes and the dog included; nothing photographic remains. Square 1:1 composition; do not copy image 1's people, objects or scene. Direction: whole-scene faceted painting of the cafe terrace built from flat angular planes, the paving laid as a reversible axonometric cube-and-rhombus field; warm late-afternoon palette of coral, mustard, plum and soft teal for the wall, foliage and floor. Keep real clothing colors. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.