Primary orthogonal compartment field

Turn [your photo] into an artwork in this style, keeping the people or animals in it, their poses and the composition: Organize secondary regions as unequal rectangular compartments divided by continuous horizontal and vertical bars. Use primary-colour accents there; set off a clear large silhouette in broad colour masses. Do not run bars through features or recolour broad colour patches. No diagonals or random tile mosaic. Translate big silhouette, pose and colour masses into flat painted colour compartments and crisp bars. Below fingertip scale: only these marks. Eyes/nose if present: medium-made, one medium-made highlight. Texture visible everywhere. No photographic detail or glossy eye reflections. Square 1:1 composition.

Create a new image entirely in the style of image 1: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Its subjects are the two people and the dog from image 2: keep their hair, clothing colors, the dog's coat, their pose, expression and the direction they look, and the cafe table with cups. Every part of them is made in the style of image 1, faces, hands, clothes and the dog included; nothing photographic remains. Square 1:1 composition; do not copy image 1's people, objects or scene. Direction: whole-scene flat graphic painting of the cafe terrace in which the wall, window, plants, pots and paving are divided into an orthogonal grid of flat compartments with thick black lines; warm stone, sage and terracotta compartments with a few primary red, yellow and blue blocks as accents. Keep real clothing colors. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.