Wet-boundary oil intermixing

A woman mechanic stands facing the viewer in a workshop, wiping her hands on a rag, a motorbike behind her. No letters, words, signs or logos anywhere in the image. Join wet oil passages with short directional intermixing at shared boundaries. Separate colour bodies stay apart from joins; narrow mixed trails cross loaded marks. Paint mixes while broad facial planes and colour-patch boundaries stay stable; no melted anatomy or photographic patches. Broad silhouette, pose, proportions and colour masses only. Below fingertip scale all forms become wet oil-paint strokes and mixed trails. Eyes and nose, if present, are the same medium marks with one medium-made highlight. Texture everywhere. No photographic detail, crisp strands or glossy eye reflections.

Create a new image entirely in the style of the attached image: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Subjects: a woman and a man seated side by side at a small round cafe table with two cups and a croissant, and a merle grey-and-tan French bulldog sitting in front of the table facing the viewer. She, late 20s, has a short blonde bob, a cream ribbed cardigan, blue jeans and white sneakers, legs crossed, chin resting on her hand, smiling softly at the viewer. He, late 20s and clean-shaven with no beard or stubble, has short tousled light-brown hair, an olive overshirt over a white tee, beige chinos and white sneakers, one hand on his cup, looking at the viewer. Everything, faces, hands, clothes and the dog included, is made in the style of the attached image; nothing photographic. Square 1:1 composition. Do not copy the attached image's people, hair, faces, objects or scene. Direction: whole-scene thick wet oil painting, loaded impasto strokes with short directional wet-into-wet mixing where neighboring colors meet, faces built from bold visible painted planes and brushed features, never smooth photographic skin; shaded terrace with cool blue-violet shadows, ochre stone wall, potted olive tree; real clothing colors kept. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.