Expressionist painting

A middle-aged woman with short grey hair sits by a window in soft afternoon light, looking straight at the viewer. No letters, words, signs or logos anywhere in the image. Paint in an expressionist manner with forceful brushwork, emotionally chosen colour and intentional shape distortion. Resemblance sits in big shapes: silhouette and large emotionally coloured masses; subjects may be re-posed to suit the style. Below fingertip scale everything is forceful brushwork on rough canvas. Let painted form depart freely from photographic accuracy. Eyes and nose, if present, are forceful paint marks with one paint-made highlight. Texture is visible everywhere. No photographic detail, crisp strands, glossy eye reflections or text.

Create a new image entirely in the style of image 1: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Its subjects are the two people and the dog from image 2: keep their hair, clothing colors, the dog's coat, their pose, expression and the direction they look, and the cafe table with cups. Every part of them is made in the style of image 1, faces, hands, clothes and the dog included; nothing photographic remains. Square 1:1 composition; do not copy image 1's people, objects or scene. Direction: whole-scene expressionist oil painting of the cafe terrace from image 2, no signs, dusk light with a violet-magenta wall and sky, deep emerald foliage and glowing orange paving, slashing thick palette-knife and brush strokes with bold unblended color planes, exaggerated vivid color shadows on skin, strong gestural energy. Keep their real clothing colors from image 2 (cream cardigan, blue jeans, olive overshirt, white tee, beige chinos, white sneakers). No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.