Double-reading assembled painting

A woman mechanic stands facing the viewer in a workshop, wiping her hands on a rag, a motorbike behind her. No letters, words, signs or logos anywhere in the image. Arrange small painted forms so their shared edges and colour masses also build the large subject silhouette at a larger scale. Make the large silhouette and painted feature spacing the primary reading. No photo underlay, overlaid second face or random objects that erase source colours. Translate big silhouette, pose and colour masses into small painted forms and shared pigment edges. Below fingertip scale: only these marks. Eyes/nose if present: medium-made, one medium-made highlight. Texture visible everywhere. No photographic detail or glossy eye reflections.

Create a new image entirely in the style of image 1: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Its subjects are the two people and the dog from image 2: keep their hair, clothing colors, the dog's coat, their pose, expression and the direction they look, and the cafe table with cups. Every part of them is made in the style of image 1, faces, hands, clothes and the dog included; nothing photographic remains. Square 1:1 composition; do not copy image 1's people, objects or scene. Direction: whole-scene painting assembled from many small painted forms (short dabs, leaf and petal shapes, small tile-like patches) whose shared edges and colour masses also build the large silhouettes of the two people, the dog, the table and chairs at a larger scale, so the picture reads both as small painted pieces up close and as the full figures from afar; large silhouette and feature spacing stay the primary reading, source colours stay clear (cream cardigan, blue jeans, olive shirt, beige chinos, merle dog); setting a terrace with an ivory wall, lavender and olive-green foliage and a soft ochre floor; eyes painted marks with one highlight. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.