Broadside graphite planes

Two adult friends stand side by side on a sunny city rooftop terrace, calm smiles, looking at the viewer. No letters, words, signs or logos anywhere in the image. Draw with broad side-laid graphite planes and directional overlapping tonal bands. Deposits stay dry and granular, with a few narrow edge accents. Broad marks describe actual form, never fragmenting the subject into arbitrary polygons. Resemblance sits in big shapes — silhouette, pose, large planes; below fingertip scale everything is side-laid graphite on toothy paper. Translate colors to faithful relative values. Eyes and nose, if present, are graphite-plane marks with one pencil-made highlight. Every surface is drawn texture; no photographic patches, crisp strands or glossy eye reflections.

Create a new image entirely in the style of the attached image: the same medium, materials, technique, rendering and character design (how it builds faces, eyes, hair, bodies and proportions). Do not copy its color palette or its environment; colors and setting follow the direction at the end. Subjects: a woman and a man seated side by side at a small round cafe table with two cups and a croissant, and a merle grey-and-tan French bulldog sitting in front of the table facing the viewer. She has a short blonde bob, a cream ribbed cardigan, blue jeans and white sneakers, legs crossed, chin resting on her hand, smiling softly at the viewer. He has tousled light brown hair, an olive overshirt over a white tee, beige chinos and white sneakers, one hand on his cup, looking at the viewer. Everything, faces, hands, clothes and the dog included, is made in the style of the attached image; nothing photographic. Square 1:1 composition. Do not copy the attached image's people, objects or scene. Direction: whole-scene hand-drawn graphite drawing on toothy cream paper made with the side of the graphite stick: wide flat side-laid planes and broad overlapping directional tonal bands, not fine hatching, build faces, skin, hair, clothes, the dog, table and chairs, dry granular deposits with a few narrow edge accents, simplified drawn features, nothing photographic; monochrome graphite; clothes keep their real relative lightness; terrace suggested by broad strokes of a stone wall, potted olive trees and paving. No text, letters, captions, banners, signs, swatches, color chips or decorative rules anywhere in the image. The artwork and any border finish completely inside the frame; nothing is cropped or overflows the edges.