Paint a stylised editorial scene with broad dry-brush strokes, translucent pigment layers and fine paper-grain texture, in restrained cream, slate, dusty blue, olive, rust and ochre, balancing large quiet colour shapes with dark accents. A harbor skyline in a square: a working harbor with moored sailboats and a small ferry in the foreground, a crescent waterfront of low stone warehouses and a tall slender church spire, a few cranes beyond and a breakwater, a soft cloudy sky.
Light: a soft overcast light, the warehouses in rust and ochre dry-brush blocks, the water in slate and dusty blue translucent layers, the spire and cranes as small dark accents, olive hills behind, fine paper grain showing through; palette of cream, slate, dusty blue, olive, rust and ochre; quiet, working, painterly.
Square 1:1 frame, centred composition with breathing room on all sides. No people, readable text, signs, billboards or logos; buildings are plain with no lettering.
