Fit separately shaped solid-wood pieces in shallow relief, varying grain and elevation, with planes blending smoothly, seams fitted and no flat veneer or uninterrupted carved grain field. Stacked ceramic tiles seen from the side as a tall tidy stack: twelve square tiles in alternating pale maple and honey oak pieces, the glazed faces as polished darker walnut and cherry insets at the top, a tile with a chamfered edge on top at a slight angle.
Light: warm directional light from the left, shown as pale maple and birch pieces on the left edges and darker walnut and mahogany on the right with fitted seams between layers, the top tile's glaze as a cherry inset with a thin bright highlight line; the stack's vertical rises through the tall frame. Palette entirely of natural wood tones; warm, tactile, polished.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame. No people, hands, readable text, brand marks, logos or labels; the tiles carry only plain colour and simple glaze, no lettering.
