Risograph print with a small set of overlapping spot-ink colors, restrained grain and subtle misregistration. Translate forms into flat ink shapes; use those overlaps to define the subject. Grain visible everywhere at full size. Avoid smooth digital gradients, random ink noise, photographic detail, crisp strands and glossy reflections.
Vertical 9:16 poster frame seen straight from directly above, a flat top-down view of a warm cream paper worktable. Three spot inks — burnt orange, deep navy and leaf green — print on the warm cream ground. A large clean rectangular sheet of blank paper lies flat in the exact centre of the table, drawn as a slightly whiter cream rectangle with a thin navy outline; its face stays completely empty, reserved as the headline space. Around the table's outer edge, always well clear of the central sheet, sit the worktable's props: a large round burnt-orange pumpkin with vertical navy ribs and a short curved navy stem at the upper left, a slightly smaller ribbed burnt-orange pumpkin with a navy stem at the lower right, and a small navy carving saw plus a plain round spoon lying parallel side by side at the mid-left edge. Two small leaf-green leaves tuck into the top right corner. Every pumpkin is whole and intact, not yet carved, with no faces drawn anywhere. Every shape completes inside the frame; the paper grain runs to all four edges and nothing touches or crosses them.
The inks stay flat and even; overlaps darken where shapes cross, as where a pumpkin's ribs meet its stem. Flat poster light from directly above with no cast shadows and no gloss. The paper sheet, pumpkins, leaves and tools are completely unlettered — no labels, letters, numbers, signs or emblems anywhere in the print.
