A full-length overcoat hangs straight as if on an invisible tailor's form, floating fully isolated on a fully transparent background with alpha equal to zero, not white, not colored, no checkerboard pattern, a real alpha channel, in a 9:16 vertical portrait composition with a clear transparent margin around every edge so no part of the garment touches or is cropped by the frame.
The coat is built entirely from smooth articulated wooden mannequin arms in warm beech, their rounded upper arms shaping the shoulders and their overlapping forearms falling into long coat panels that meet down the front, ball joints and satin wood grain plainly visible. Soft raking studio light models the rounded limbs and seams in honey oak and pale wood tones, with quiet shadows resting inside the garment folds and nothing spilling past the silhouette.
The forearms end in smooth mannequin hands at the cuffs and front edges, each hand with its four fingers held straight and together along the panel line and its thumb tucked along the palm edge, the wood plain and unmarked with no stamps, tags, or labels. Exactly five digits visible or anatomically accounted for.
