Open dense black masses with fine white cuts, short tapering wedges and tiny light holes following the form; black structure stays connected, paper reserves precise, no broad gouges. A train beside a forest in a tall frame: a train of old wooden carriages running along a track beside a dense pine forest at dusk, smoke from the engine drifting across the trees, a narrow clearing with a low fence and a few stars appearing.
Light: a pale last light from the right on the carriage windows as small paper reserves, the pines as dense black masses with fine white needle cuts, the smoke as a soft cluster of white wedges, the track as two white lines; strictly black ink on warm ivory paper; hushed, dramatic, refined.
Tall 9:16 portrait frame, composed vertically with the main line of the scene rising through the height of the frame. No people, readable text, numbers, logos or signs; the train is plain with no lettering.
