Two carved and painted wooden figures on a plain wooden base: a small wheeled worker figure leans far forward mid-roll, its single roller foot trailing behind its tilted body, both carved arms reaching toward the right edge of the frame, while a taller supervisor figure stands planted behind it at the left, one carved hand closed in a fist at its side and the other gripping a short leather leash. The leash clips to the iron ring at the back of the worker's small tool belt and runs dead straight and taut between them, too short to let the worker's reaching fingers come near the right edge, and the supervisor's gripping hand shows four carved fingers folded over the thumb, exactly five digits visible or anatomically accounted for. The worker's neck, arms and legs are otherwise free.
Sculptural editorial still-life photography in soft neutral studio light, the figures of pale painted wood with subtle grain showing through the paint, the leash of worn tan leather with a small brass clip and ring, in warm cream, muted olive, tan leather brown and a soft brick-red accent on the worker's cap.
1:1 square composition, the whole group isolated on a fully transparent background with alpha = 0, not white, not colored, no checkerboard pattern, a real alpha channel, every subject fully inside the frame with clear margin on all sides and transparency continuing to every edge. A soft contact shadow rests beneath the wooden base, semi-transparent black in the alpha channel, darkest at contact and fading outward. All surfaces are plain and unmarked, with no lettering anywhere.
