Use screen-print treatment with a few clear ink layers, bold color separations and restrained registration character. Keep the subject readable through simplified shapes; omit halftone, distress and tiny texture unless the task explicitly requests them.
A square 1:1 frame holds a compact repair scene centered on a fully transparent background: every pixel around the shapes is true transparency, alpha 0, not white, not colored, no checkerboard anywhere — a real alpha channel, an isolated cutout asset. An upside-down bicycle occupies the left half, resting on its saddle and handlebar grips; its front fork sits at the top with both fork ends open and empty, and its rear wheel hangs at the bottom as a normal round wheel with simple spokes. A compact sheet ghost floats at the upper right, leaning left toward the fork, lifting a crescent-moon-shaped replacement wheel with both arm-flaps, tipping it into the open fork ends, its two dark eyes fixed on the fork. Bold flat shapes in exactly three ink colors, a bone-cream ghost, a pumpkin-orange bicycle and black details, sit fully inside the frame with clear padding on every side, nothing touching or cropped by any edge.
The ink layers stay flat and closed: each color prints as one solid shape with crisp edges and at most a few simple internal cuts for the eyes, mouth and wheel spokes. The crescent wheel keeps a smooth round outer curve, a small round hub at its center and two pointed crescent tips angled away from the fork, reading as a waxing moon. The bicycle is plain and unbadged. No hands, no floor, no ground shadow, no tools, no lettering, numbers or symbols appear anywhere.
