Risograph print with a small set of overlapping spot-ink colors, restrained grain and subtle misregistration. Translate forms into flat ink shapes; use those overlaps to define the subject. Fur is grouped grainy ink shapes, never strands. Eyes and nose are ink shapes with one paper-white highlight; keep faces drawn and clean. Grain visible everywhere at full size. Avoid smooth digital gradients, random ink noise, photographic detail, crisp strands and glossy eye reflections.
Vertical 9:16 poster frame, straight-on. Three spot inks — burnt orange, deep navy and leaf green — print on warm cream paper. A large empty paper panel sits a little above the center of the frame, its blank cream face filling roughly the middle half and staying clear of every edge. Around that panel a single continuous navy zigzag border is being stitched: three sides already finished, the fourth side mid-stitch. An oversized illustrated sewing needle — a long burnt-orange sliver with a small navy eye — enters from the lower right, where the border's fourth side ends open; its navy thread runs from that open gap in one short straight stretch directly into the needle's eye — one continuous line, no loose loops and no loose curl anywhere. A small plain white ghost costume hangs from a bent navy pin at the panel's top-left corner, its hem fluttering flat ink shapes. A squat navy thread spool rests on the lower left, its loose thread tail curling toward the frame edge.
The inks stay flat and even; overlaps darken, and the paper grain shows through everywhere. Poster light with no cast shadows. The paper carries no flowers and no foliage; the only elements are the bordered panel, the needle with its thread, the hanging ghost costume and the spool. The panel face is completely unlettered; the ghost costume fabric is plain and unlettered; the spool is bare unmarked wood.
