Render the entire image as flat vector-style editorial illustration: every shape one solid flat fill with crisp, uniform edges, no gradients, no textures and no outlines except where a shape needs its rim stated. The palette is a neutral base — warm off-white field, light warm grey and deep charcoal — with a single pumpkin-orange accent held for the dustpan rim and the broom's binding band, and a straw yellow for the broom corn. Flat, shadowless light; depth comes only from overlapping shapes. The finish is a clean contemporary poster print.
Vertical 9:16 frame. The left half of the sheet is one completely plain warm off-white field with nothing in it. The right half carries the whole scene at middle distance: a wide, shallow charcoal dustpan sits on a thin warm-grey floor line in the lower right corner, its mouth open toward the upper left, rimmed in pumpkin orange. Just above and left of the pan mouth floats a dust plume shaped like a friendly sheet ghost — rounded head, wavy hem, two small charcoal dot eyes and a gentle smile — leaning toward the opening as if being shown in. An ordinary corn broom with straw-yellow bristles bound by an orange band on a warm-grey handle lies diagonally with its bristle head just behind the ghost's hem, mid-sweep, steering it toward the pan; the whole broom stays inside the frame. A few small grey dust specks trail from the ghost's hem. The ghost is the focal centre; every shape keeps clear of the frame edges.
Shapes overlap simply: broom behind the ghost, ghost in front of the pan's opening. Every surface that could carry a label stays plain and unlettered.
